Body and Decoloniality in Scenic Poetic Composition - The text is situated between the arts, anthropology and philosophy and aims to answer the question: can the artistic process be understood as a means of decoloniality of ordinary body? Methodologically literature review was carried out an artistic process was analyzed that the authors participated in. It emerges from the experience that Sampaio’s (2007) proposal for the atenso body for the scene can be a fruitful way to reach the decoloniality of the everyday body.||The text is situated between the arts, anthropology and philosophy and aims to answer the question: can the artistic process be understood as a means of decoloniality of the ordinary body? Methodologically, a literature review was carried out and it was analyzed an artistic process in which the authors participated. It emerges from Sampaio’s proposal (2007) concerning the atense body for the scene, which can be a fruitful way to reach the decoloniality of the everyday body.
Simão (Universidade Federal da Integração Latino-Americana – Foz do Iguaçu/PR, Brazil), Marina Fazzio | Sampaio (Universidade Federal do Tocantins – UFT, Palmas/TO, Brazil), Juliano Casimiro de Camargo
Brazilian Journal on Presence Studies; v. 8, n. 4 (2018): Out./Dez.2018; 665-690 | Révue Brésilienne d'Études de la Présence; v. 8, n. 4 (2018): Out./Dez.2018; 665-690 | Révue Brésilienne d'Études de la Présence; v. 8, n. 4 (2018): Out./Dez.2018; 665-690 | Revista Brasileira de Estudos da Presença; v. 8, n. 4 (2018): Out./Dez.2018; 665-690 | 2237-2660
Assuntos
Artes Cênicas; Teatro; Performance; Educação. | Composição Poética Cênica; Conhecimento Emancipatório; Corporeidade; Descolonização do Imaginário; Ensino de Arte. | Theater. Decoloniality. Body. Performing Poetic Composition. Performing Practice.
