Descrição
From what the authors of the Weimar Republic (Bertolt Brecht, Walter Benjamin and Rudolf Arnheim) thought about the connection between radio and its listeners, going through the consideration of English Cultural Studies and the concept of structure of feeling from Raymond Williams, it is possible to create a path for the discussion of how the listener experiences interactivity with radio and sound nowadays. Despite the current breadth of audience participation in radio programs, this does not contemplate the ideals of Benjamin and Brecht, the latter who, in his Radio Theory, describes a listener that speaks to the same extent as the presenter. The study shows that it is possible to categorize the current listener as an expanded listener, an extension of the expanded radio concept of Marcelo Kischinhevsky.||From what the authors of the Weimar Republic (Bertolt Brecht, Walter Benjamin and Rudolf Arnheim) thought about the connection between radio and its listeners, going through the consideration of English Cultural Studies and the concept of structure of feeling from Raymond Williams, it is possible to create a path for the discussion of how the listener experiences interactivity with radio and sound nowadays. Despite the current breadth of audience participation in radio programs, this does not contemplate the ideals of Benjamin and Brecht, the latter who, in his Radio Theory, describes a listener that speaks to the same extent as the presenter. The study shows that it is possible to categorize the current listener as an expanded listener, an extension of the expanded radio concept of Marcelo Kischinhevsky.||Do que pensaram autores da República de Weimar (Bertolt Brecht, Walter Benjamin e Rudolf Arnheim) sobre a relação do rádio com seus ouvintes, passando pela consideração dos estudos culturais ingleses e do conceito de estrutura do sentir de Raymond Williams, pode-se constituir um caminho para a discussão de como o ouvinte experimenta a interatividade com o rádio e com o som nestes dias. A despeito da amplitude atual da participação do ouvinte na programação, ela não chega a contemplar os ideais, principalmente, de Benjamin e Brecht, sendo que, este último, em sua “Teoria do rádio”, preconiza um ouvinte que fala na mesma medida do apresentador. O estudo mostra que é possível dimensionar o ouvinte atual como ouvinte expandido, uma extensão ao conceito de rádio expandido de Marcelo Kischinhevsky.||From what the authors of the Weimar Republic (Bertolt Brecht, Walter Benjamin and Rudolf Arnheim) thought about the connection between radio and its listeners, going through the consideration of English Cultural Studies and the concept of structure of feeling from Raymond Williams, it is possible to create a path for the discussion of how the listener experiences interactivity with radio and sound nowadays. Despite the current breadth of audience participation in radio programs, this does not contemplate the ideals of Benjamin and Brecht, the latter who, in his Radio Theory, describes a listener that speaks to the same extent as the presenter. The study shows that it is possible to categorize the current listener as an expanded listener, an extension of the expanded radio concept of Marcelo Kischinhevsky.
