Descrição
This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.||Cet article est le résultat d’une recherche pratique dans le domaine des arts du spectacle, spécialement, des processus et réalisations artistiques autour de la scène de Pirandello. À la recherche d’une théâtralité construite à partir de l’intersection entre théâtre et performance, on étudie la dramaturgie de l’auteur italien depuis son noeud principal: sa constatation de l’impouvoir de représentation du théâtre. Dans le présent article, nous organisons des documents et des réflexions sur une année de pratiques autour de la scène et de la dramaturgie de Pirandello, revisitées à partir d’une théâtralité performative, à la lumière du concept de Deleuze du théâtre de la répétition.||This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.
