Descrição
This paper aims to understand the dichotomies and imbrications in the narrative forms presented in a set of images of two media contents broadcasted on TV Globo, in 2017: the journalistic report Tudo pela Vida, directed by the physician Drauzio Varella, in Fantástico TV program, and the serial drama Sob pressão, a fictional product recorded and set in a public hospital in Rio de Janeiro. From a set of frames collected in one episode of each product, we reflect on how the medical character is constructed in these narratives and we identify proximities and distances in their representation, aligned with new dashes of realism and categorized in the reality TV genre.||This paper aims to understand the dichotomies and imbrications in the narrative forms presented in a set of images of two media contents broadcasted on TV Globo, in 2017: the journalistic report Tudo pela Vida, directed by the physician Drauzio Varella, in Fantástico TV program, and the serial drama Sob pressão, a fictional product recorded and set in a public hospital in Rio de Janeiro. From a set of frames collected in one episode of each product, we reflect on how the medical character is constructed in these narratives and we identify proximities and distances in their representation, aligned with new dashes of realism and categorized in the reality TV genre.||Este trabalho tem o objetivo de compreender as dicotomias e as imbricações nas formas narrativas apresentadas em um conjunto de imagens de dois conteúdos midiáticos veiculados na TV Globo, em 2017: a série de reportagens Tudo pela Vida, comandada pelo médico Drauzio Varella, no Fantástico, e o drama seriado Sob pressão, produto ficcional gravado e ambientado em um hospital público do Rio de Janeiro. A partir de um conjunto de frames coletados em um episódio de cada produto, refletimos sobre como o personagem médico é construído nestas narrativas e identificamos proximidades e afastamentos na sua representação, alinhada aos novos realismos e categorizadas no gênero de reality TV.||This paper aims to understand the dichotomies and imbrications in the narrative forms presented in a set of images of two media contents broadcasted on TV Globo, in 2017: the journalistic report Tudo pela Vida, directed by the physician Drauzio Varella, in Fantástico TV program, and the serial drama Sob pressão, a fictional product recorded and set in a public hospital in Rio de Janeiro. From a set of frames collected in one episode of each product, we reflect on how the medical character is constructed in these narratives and we identify proximities and distances in their representation, aligned with new dashes of realism and categorized in the reality TV genre.
