Descrição
This essay seeks to establish a dia/logos a kind of spectatorparticipant diary with the production Still Life, directed by the Greek choreographer Dimitris Papaioannou. Through this dia/logos which took place between an artistic material and a processual observer innumerous knowledges and points of view are explored. As a result of this process, the phenomenon approached took on a specific catalyzing effect generating tension and significations, thus delineating a possible expanded field.English version: Leslie Damasceno.||Publicado em português no Catálogo da 3ª Mostra Internacional de Teatro de São Paulo / MITspBONFITTO, Matteo. STILL LIFE e a pedra não filosofal. Cartografias MIT/SP_03 2016, p. 44-51, 2016. Disponível em: https://issuu.com/mitsp/docs/catalogo_digital/4?e=0/33872487. Acesso em: 21 abr. 2016.
