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The Relationship between Time and Methodology in Naturalist Painting. Some Isolated Cases. Euan Uglow and Antonio López||La relación del tiempo y la metodología en la pintura del natural. Algunos casos aislados. Euan Uglow y Antonio López
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Metadados
Descrição
AbstractThrough this study, which analyzes the work of the painters Antonio López García and Euan Uglow, we aim to elucidate the relationship between time and methodology in naturalist painting. To do this, we will classify different concepts of the time factor that will affect the researches of our main characters. The shape and color become the main fundamentals that will be gradually consolidated in the painting, as artists incorporate all perceptual variations undergoing physical reality over the years. It is a work in constant change that allows them to access issues, reflections and approaches impossible to detect promptly. In short, it's a struggle for the permanence of emotion, the idea and the interest of the artists to the represented reality: it’s the test of time.||A través de este estudio, que analiza la obra de los pintores Antonio López García y Euan Uglow, pretendemos dilucidar la relación existente entre el tiempo y la metodología en la pintura del natural.Para ello clasificaremos diferentes concepciones del factor tiempo que condicionarán las búsquedas de nuestros protagonistas. La forma y el color se convierten en los fundamentos principales que irán consolidándose en la pintura gradualmente, pues los artistas incorporarán todas las variaciones perceptuales que experimenta la realidad física durante los años. Es una obra en continuo cambio que les permite acceder a problemas, reflexiones y planteamientos imposibles de detectar con inmediatez.En definitiva, se trata de una lucha por la permanencia de la emoción, de la idea y del interés de los artistas hacia la realidad representada: es la prueba del tiempo. AbstractThrough this study, which analyzes the work of the painters Antonio López García and Euan Uglow, we aim to elucidate the relationship between time and methodology in naturalist painting. To do this, we will classify different concepts of the time factor that will affect the researches of our main characters. The shape and color become the main fundamentals that will be gradually consolidated in the painting, as artists incorporate all perceptual variations undergoing physical reality over the years. It is a work in constant change that allows them to access issues, reflections and approaches impossible to detect promptly. In short, it's a struggle for the permanence of emotion, the idea and the interest of the artists to the represented reality: it’s the test of time.
ISSN
2340-1478
Periódico
Autor
Serrano León, David
Data
11 de setembro de 2017
Formato
Identificador
http://revistas.uned.es/index.php/ETFVII/article/view/18185 | 10.5944/etfvii.5.2017.18185
Idioma
Editor
Direitos autorais
Derechos de autor 2017 David Serrano León
Fonte
Espacio Tiempo y Forma. Serie VII, Historia del Arte; Núm. 5 (2017): Nueva Época.; 273-288 | 2340-1478 | 1130-4715 | 10.5944/etfvii.5.2017
Assuntos
Tiempo | metodología | pintura | color y forma | Time | methodology | painting | color and form. | 550602 Teoría | análisis y crítica de las Bellas Artes | Time | methodology | painting | color and form
Tipo
info:eu-repo/semantics/article | info:eu-repo/semantics/publishedVersion